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Rio 2 Review


Directed by: Carlos Saldanha
Casts: Jesse Eisenberg, Anne Hatthaway, Jemaine Clement, will.i.am, Jamie Foxx
Genre: Animation, Kids & Family, Comedy
Release Date: 10 April 2014

It's bye-bye city and hello jungle as Blu, Jewel and their 3 kids head out to the Amazon forest in search of their kin thought to be history. Right on their feathery tails is Blu's old nemesis Nigel the cockatoo, with new aides of his own bent on revenge in this colourful sequel to 2011's Rio

Praises: The second flight with our feathered friends is a frantic fun-filled one, full of toe-tapping musical scores that soothes the ears and gears the excitement. Brazilian beats and tempo echo seamlessly with the mesmerising choreography of dances and singing, offering the perfect remedy for my agonising Monday-blue (ironic huh?).



Many of the adorable characters that I have come to know and love in Rio reunites for the sequel, much to my delight. Jesse Eisenberg's talent effortlessly made Blu charming as always. The bird is fond of everything human and suddenly he's thousands of miles away from civilisation, surrounded by similar feathers he never knew existed and having to pick Brazilian nuts over toasts. His reluctance to embrace anything wild cooks up numerous hilarious moments that are pretty memorable (okay okay, no spoilers). 



Jewel (Anne Hatthaway) on the other hand, sheds off her younger, impulsive self for a more calm, matured and family-oriented mother figure to her younglings Carla, Bia and Tiago. Her relationship with Blu is beautifully heartfelt as we see the two dealing with ideas of compromise and growth as the honeymoon is long over. The addition of the little ones made the film more appealing to kids but even as an adult, I simply adore them. 



He may not be willing to catch any grenades for anyone but Roberto (it's Bruno-freaking-Mars!) jazzed up the atmosphere with his much confidence and swag. Being the idol of the flock and childhood friend of Jewel, he is considered a rival by the jealous Blu which often led to comedic results. 



Nigel may be the star of the stage this time after all for his vocal talent Jemaine Clement  turns up to be among the most impressive of the lot. Another noteworthy newcomer to the pool is Nigel's new sidekick/admirer Gabi (Kristin Chenoweth) who's performance gives a touch of musical magic to the film (albeit sadistically).


Of course, it won't be Rio without the dynamic duo Pedro and Nico. Their respective charisma compliments each other flawlessly and though they are less crucial than before, they're still entertaining to watch. 



Blu's guardian, Linda (Leslie Mann) is now married to bird enthusiast Tulio (Rodrigo Santoro) and the pair plays a pivotal role in delivering the film's ecological messages: how we should never take the beauty of nature for granted and also on the danger that forest logging brings. These made the story a lot more engaging, as we are introduced to the many beauty and wonders of Amazon throughout. They symbolize the ideal that humans hold the key to either preserve or destroy their Mother Earth.

For those who have watched the film, doesn't the climatic scene reminds you much of Avatar

Complains: Like most sequels to animation films, Rio 2 attempts to do too much of everything but end up  focusing too little on what's important. It does not leave that great of an impact as its predecessor and relies heavily on the casts to maintain much of its charm. There are literally too many conflicts and subplots to digest, causing the narrative to lose its momentum. It's as if everyone is pulling at each other's neck to tell their own story.  

To have 2 different sets of villains with their own agenda is a risky move. Not only does it made the plot felt jumpy but also distracting, as the scenes are quickly cut between one another to give room for progression. As if Nigel and the illegal loggers are not enough, we have the feud between the Spix Macaws and Scarlet Macaws. Seriously?

Also, I generally prefer the scores from the first Rio better. They are a lot catchier, the kind that leaves you in holiday mood. I'm not saying the ones in Rio 2 are bad, they just do not cling to me as they should. To add to that, I'm pretty disappointed that Jewel sings way lesser this time around. Anne Hatthaway has such an amazing voice, why let it go to waste?

Rating: 6.2/10
Hit or Miss: Rio 2 is visually beautiful with strong casts to carry the film but suffers from a congested storyline. Still, watching it is a pleasurable experience. Hit

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Sabotage Review


Directed by: David Ayer
Casts: Arnold Schwarzenegger, Sam Worthington, Terrence Howard, Olivia Williams, Mireille Enos
Genre: Action & Adventure, Thriller, Mystery & Suspense
Release Date: 3 April 2014

John "Breacher" Wharton leads an elite DEA task force, busting the world's largest drug cartels and kicking asses. Things begin to go wrong when their $10 million worth of stolen cartel money went missing and one team member after another gets picked off. It's a race against time as Wharton teams up with tough-female detective Caroline Brentwood to nail the perpetrator before he ends up on the chopping block. 

Praises: What makes Sabotage even remotely chewable lies within its honest look into the integrity of law enforcers as they climb in and out of hell on earth. To bring down the drug cartels, Breacher and his team constantly has to go undercover and pretend to be the bad guys. Sometimes, people who do that too often found themselves morally lost - the line that separates them from the demons becomes indistinguishable. They see the highs and lows of humanity and forgot which end they belong to. Director David Ayer interprets these with sharp accuracy by utilising a plot that is dark, edgy and gritty, full with unexpected twists of events which effectively propel the film to the class of mystery thriller rather than being just another muscle-bound action flick. 

This is perhaps the most interesting and unique role I have seen Arnold Schwarzenegger in since his return to the acting scene. It is nice to see "The Governator" playing a rather complex character with actual depth and story rather than the usual tough, mean-looking stereotypical grunt he always ended up as. Breacher has a compelling history that wasn't made known in the earlier parts of the film but once it does, it's enough to string along empathy from the audiences and gives the film an overall emotional touch. 

Majority of the supporting casts offer strong performances and a special shoutout goes to Mireille Enos for her uncompromising take as the drug-addicted Lizzy, the only female crew in the drug-fighting team. Her character held her ground firm amongst the men and was never even close to being intimidated by her male peers. Sam Worthington too shows his diversified acting capabilities as James "Monster" Murray, the brutal yet easily-paranoid husband of Lizzy. 

The cinematography employed is somewhat unorthodox yet creative - it brings a new height to the sense of realism in the film. Micro-cameras are carefully installed on the gun barrel to capture the shooting sequences from first-person point of view; this in turn enables the audience to see and feel the same intensity experienced by those wielding the gun. 

Complains: The story itself is promising but the execution is poor. It offers audiences a grimmer look into the world of law enforcement but smears it with blood and guts splattered across unnecessarily. The gravity of the plot is seemingly lost in midst of the gore and violence, resulting in a film that is hollow, loud and messy. 

The characters are a huge unlikeable lot, except for Breacher. I credit them for being distinct and individualistic but none of them are endearing. Honestly, I couldn't care less on their predicament and they are easily forgettable. The humours are dry and bleak - the film could definitely do well without. All the profanities and sexual insults strewn at each other seems to be without purpose as well. 

The last thing I need is Arnold Schwarzenegger trying to be sexy. The Austrian champ is nearing 70 and he isn't even mildly attractive in both physical and demeanour anymore. The actor seem so out of place whenever he churns out flirtatious lines that got me gagging and his chemistry (romance or not) with the relentless Caroline played by Olivia Williams is close to non-existent. Speaking of which, it really upsets me to see Williams playing a tough chick that is so easily subjected sexually. Her character is simply tossed around and manipulated, mentally and sexually that I find her pathetic to watch.

Rating: 4.2/10
Hit or MissSabotage ultimately felt dreadful and tedious, as there seem to be no proper direction that the disjointed narrative is heading. It's great that Arnie undertakes a role that is radically different from his usual stint but he lacks the proper charisma to carry his character well. The film could have been way better but fall short of expectation. Miss.

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Captain America: The Winter Soldier Review


Directed by: Anthony and Joe Russo
Casts: Chris Evans, Scarlett Johansson, Sebastian Stan, Robert Redford, Samuel L. Jackson
Genre: Action & Adventure, Science Fiction, Fantasy
Release Date: 27 March 2014

Steve Rogers continues to assist S.H.I.E.L.D. in their espionage missions as Captain America while searching for a sense of belonging in this modern world. When a S.H.I.E.L.D. vessel was hijacked by pirates, Rogers and his fellow Avenger Natasha Romanoff/Black Widow are sent on a hostage-rescue mission - only to uncover a hidden agenda behind it. Things further complicate when Nick Fury, director of S.H.I.E.L.D. becomes the target for assassination by a secret Soviet agent called The Winter Soldier. Captain America soon finds himself in the midst of a malevolent scheme with very few left to trust. 

Praises: Superhero films under Marvel have always been a fun ride - from the fantasy realm of Asgard to Iron Man's state-of-the-art home in Malibu. When Captain America: The First Avenger hits the big screen in 2011, it begs to differ in terms of tone and locale. Riding on nostalgia and set in WWII Germany, the film shows promise of darker, edgier and grimmer themes - the same themes fully explored this time around in Captain America - The Winter Soldier.

To quote Tony Stark, "Things have changed since New York." We no longer see Steve Rogers as a young man eager to step up to the bullies (Nazis). We now see a man, thawed from years of slumber in ice, thrown into a modern world he does not recognise and yet managed to save it from an invading god and his army of space aliens. We see a soldier haunted by regret, trying to piece together a life he had missed living and in constant doubt over the integrity of the agency he is serving now. When asked what makes him happy, his answer is "I don't know." Sad, isn't it?


When I think about it, it is Steve Rogers' humility and selflessness that makes the character so dear to me. He wants neither glory nor fame. He is earnest in protecting the country he loves and no tragedy that befalls him can ever shaken his resolve. He has no qualms in throwing his life away to save the innocent and this in turn makes him very vulnerable. 

This second instalment puts the Captain on his toughest emotional journey yet and that is what connects the character to the audience. I really feel for the man, the hardships he had to go through to hold upright his beliefs. Connectivity is something the other Marvel films lack, making this one a class of its own. The last time I was able to feel such a connection was with Tobey Maguire's Peter Parker/Spider-man in Spider-Man 2 (and that was one of the greatest superhero films of all time). 

Writers Christopher Markus and Stephen McFeely (who previously worked on The First Avenger) has come together to craft a brilliant and sharper script for this sequel, knitting together the events that will culminate in Age of Ultron. The narrative is full of twists and suspense while wittingly delivers the message on the peril of political-illness. The film could almost be considered satirical; from the governmental misuse of state surveillance and personal data down to the notion that in the chaotic world we are living in, the willingness to trade freedom for security is ever-present. 

Coming from directing television comedy background, I'm astonished by the swift ability of directors Anthony and Joe Russo in handling a large-scale motion picture such as this. The crisp dialogues are expected but the cinematography amazed me most. It is top-notch, particularly on the action scenes. Trading heavy special effects for more gritty, raw and realistic approach is a bold move Marvel has taken. In fact, it defies the stereotypical bubble that encases the genre yet the result is nothing short of superb. The fight choreographies are the best I have seen amongst Marvel films, bringing a sense of homage to the 70's and 80's action flicks. The set pieces used are extensive and massive, comparable to those in The Avengers



There is no shortage of strong female characters (by strong I don't just mean physically tough), starting with the multi-facet spy Black Widow. First introduced in Iron Man 2, her character quickly grows into one of the most complex in the franchise; her true emotions and feelings forever difficult to discern. It is nice to see her role being more crucial and better-established here than any of her previous appearances, with nearly as many screen-time as Captain America. S.H.I.E.L.D. agent Maria Hill (Cobie Smulders) returns, albeit for a more minor yet significant role. Her ability to call the orders in the absence of Nick Fury has shed some new light onto the character. Last but not least, newcomer Kate/Agent 13 also proves to be the better agent than most of her male counterparts. Plus, those who adore Peggy Carter would be thrilled to know she is back and still alive (this is about as much as I will say).


Let's not forget the man who successfully unite a band of radically different superheroes to form the Avengers. Nick Fury's role expands beyond that of leading the pack behind the screen - we finally get to see with both our eyes that he is a soldier first, commander second. Fans dying to see Samuel L. Jackson getting down and dirty ala Pup Fiction style won't be disappointed. I am delighted also with some new insights into the past of the one-eye patron, revealing more about the man that kick-start the party in Iron Man


After the horrible excuse of The Mandarin and the mildly interesting but unimpressive Dark Elves, I'm pleased with the outcome of The Winter Soldier. The costume and grungy make-up illustrates the menace of the assassin for most part but its his void of empathy towards anyone - be it adversaries or bystanders is what gets me tingling. I love the fact that he is able to hold his ground against any foes and his fight sequences with Captain America are the best in hero vs. villain Marvel has yet to offer. 


The inclusion of Alexander Pierce, a high-ranking S.H.I.E.L.D. officer cum secondary villain is well-pieced. The character guides audiences to darker secrets of the agency not known previously and is neatly linked to foes of Captain America thought to be long gone. The Winter Soldier is great but like his namesake, he is only a soldier set to kill. Pierce is the necessary devil pulling the strings from the shadows, setting up the stage for the film's epic climax. He is answerable to every betrayal in the story (and trust me, there's A LOT) and his often misleading actions are responsible for most of the surprise elements on-screen. Drafted with central importance to the plot, he completes the circle in making the film truly stand out.


Of course, none of the above would be possible without the balanced and talented casts. Their performances are ingenious in both leading and supporting roles. Chris Evans is astute as the hero out of his time and his on-screen chemistry with Scarlett Johansson gelled smoothly (as they are the closest to a couple you get this time). Newcomer to the universe Anthony Mackie is fun to watch on screen and I wouldn't mind seeing him return in future instalments as the Captain's new-found sidekick Falcon. By the way, Stan Lee has his best cameo-scene to date. 


To wrap up the good parts, there are TWO credit scenes - one during the middle, which is probably the best Marvel has churn out as of now (and it's directed by Joss Whedon himself!) and one after. So be sure not to look stupid and walked out immediately when the credits rolled. 

Complains: I am not saying this film is free from hiccups. For instance, why couldn't Captain America call on his fellow Avengers for help? In fact, the same applies to any of them when troubles came pouring. I know the Avengers-canon films are meant as solo outings but Marvel needs to cook up a logical reason explaining the absence of the other superheroes, particularly in a shared universe. Which brings up the question: where is Hawkeye anyway? The modern-day Legolas is one of Nick Fury's best agents and when S.H.I.E.L.D. gets compromised, he wasn't even mentioned? C'mon! 

As with what happens to films that contain such a large pool of characters, there are bound to be those left underplayed. Steve Rogers finally found a friend capable of understanding the pain in his soul that is wearing him off in Sam Wilson but the poor guy lacks the proper development he deserves. There are just so many potentials with the former paratrooper-turned-superhero and hopefully he gets looked-into extensively in future. 

Furthermore, I'm pretty upset with Maria Hill's screen-time being reduced to what little is left. She moves and threads the narrative together but instead I see Brock Rumlow (Frank Grillo), who serves no purpose other than being S.H.I.E.L.D.'s muscleman popping onto screen more than she did. 

Rating: 9.3/10
Hit or Miss: To sum it up, Marvel has upped their game big time with Captain America: The Winter Soldier. The actions, dramas and suspense are over the top but even above that, it has got a heart. Hit.

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