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9 Good and Bad Romance Films Since 2010

Romance. Over the years, there are many kinds of romance films: those that made you teared up, those that warm your heart, those that made you think back of your own sweet memories with loved ones, those that tickle your balls and those that made you cringe with overwhelming cliches. It is one of those genre of films that is fast running out of creativity; you can't have one without feeling that it's near identical to the other you seen days or weeks ago. 

Now, let's take a look at 9 of the best and worst cheesiest romance films of late, in no specific order whatsoever. 

1. The Vow


It is one of the most talked-about romance film in 2012 starring Rachel McAdams and Channing Tatum. The Vow tells the story of a woman who suffered amnesia after an unfortunate accident and has no recollection of her life shared with her just-married husband. It is a heart-warming tale and though I didn't end up crying a river, I am certainly emotionally moved by Tatum and McAdams' solid and impactful performance in telling the story of how pure love can be, even when the other sees you as complete stranger.

2. Blue Valentine


One of Ryan Gosling's best, alongside The Notebook. Sometimes if a person is not careful enough, loving a person too much can lead to obsession. That is when your partner feels you're too stressful to be with. Also starring Michelle Williams, it's a heart-wrenching tale of how a love so strong that brought two people together eventually became the downfall of their marriage. As Gosling's and Williams' marriage is breaking down to pieces, we get to see how they begin in the first place, how intense their love was for each other before everything went blue.

3. About Time


Not the first (Time Traveller's Wife) but a pretty unusual romance film involving time travelling. Domhnall Gleeson plays a man named Tim, who discovered he has the ability to travel in time to any point of his life as he chooses and decides to use it to get himself a girlfriend. When he meets Mary (Rachel McAdams) he know he has found the right one; but a series of unfortunate events made Tim realize that getting the love of his life is not as easy as it seems, and not even time traveller has all the time in the world. 

With a balance of love, drama, humour and wits, I am surprised, entertained and moved by this piece.

4. Ruby Sparks



Not highly publicised nor promoted, Ruby Sparks is a romantic film with many, many unexpected realism about love and relationships. There is so much honesty and cuteness in this that left me laughing and crying towards the end. A story of how a socially-awkward Calvin (Paul Dano) wrote the "perfect girlfriend" Ruby Sparks for his upcoming book and gets the shock of his life when he find Ruby (Zoe Kazan) suddenly shows up in his living room one day. 

It is an uncommon love story and have many beautiful quotes throughout. 

5. Don Jon


Joseph Gordon-Levitt's directorial debut is also another love story with abundance honesty. There is no attempt to make it Holly-cheesy and the strong performance of its casts made it my personal pick as the best rom-com of 2013. Just when Jon thinks watching porn is better than any real sex, he meets two very different women that turns his world upside down.

6. Upside Down


One of those romance film who decided to go 'out-of-the-box' but didn't get it quite far off. Set in a world parallel to ours with dual gravity, Upside Down tells the story of  star-crossed lovers Adam and Eden (oh the names!) who must go against the very force of nature (and government) to be together. Visually stunning and beautiful yet falls short in terms of narrative. Interesting concept but with poor execution. 

7. Safe Haven


I like how it's sort of a thriller-romance hybrid and the gloomy settings of the film help give it some kind of tragic feel. Sadly, those didn't work too well. Not enough suspense to even place it as an average thriller. Not to mention the film is packed with overwhelming cliches (the rain while canoeing, really?) The beauty of it really goes to the chemistry between Josh Duhamel and Julianne Hough but everything else is just too cheesy that I cringe everytime the characters exchange love dialogues. 

8. This Means War



This Means War is anything but funny and romantic. It is so badly written that Sean Connery will have gotten 10 years older watching  this. Looking at Reese Witherspoon deciding who is the hotter guy between Chris Pine and Tom Hardy is certainly less than enticing. I feel trapped and nauseated listening to her rambling on life-turning dilemmas and oh the plot twist at the end? Even my 8 year old nephew will see that coming. 

9. Love and Other Drugs


There's a lot to laugh at and weep about in this film, but what sold it to me was the impeccable chemistry between Jake Gyllenhaal and Anne Hatthaway. The authenticity of their love in midst of a series of misfortunes is enough to move the spirits of even the emotionally sturdy ones. I especially love rom-com that is brutally honest about reality.

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RoboCop Review



Directed byJosé Padilha
Casts: Joel Kinnaman, Gary Oldman, Michael Keaton, Abbie Cornish
Genre: Science Fiction, Action Adventure, Fantasy
Release Date: 30 January 2014

Robocop is a cult classic that most kids growing up in the 1990s would definitely know about. In this modern remake, multinational conglomerate OmniCorp is the forerunner in advance technology, particularly in military weaponry. Determined to bring their technologies back home, they see the perfect opportunity when detective Alex Murphy, who is also a loving husband and father, was caught in a near-fatal car explosion. Offering the only option to save the life of Murphy by turning him into part-man, part-machine, OmniCorp plan to use Murphy as a start to instate the RoboCop program in every city and generating billions of profits. They almost succeed, but they miscalculated one thing: the man inside the machine has a stronger sense of justice than any man-made program.

Praise: I will admit I am very sceptical of yet another Hollywood remake of a well-known franchise. RoboCop is so well-established that all I'm seeing is Hollywood's next attempt to revive an old phenomenon to generate more profit. But I have to say that the revamp of Robocop's story, characterisation, theme and even the suit design is plausibly refreshing. The overall tone of the film is more balanced as opposed to the more gory 1987 original. I am not saying that the darker original is a bad thing; in fact I love the 1987 RoboCop more. Will get to that later. But by injecting several other themes such as family love and the scientist-conscience-guilt of a certain Dr. Norton (Gary Oldman), there is more soul in the film and offer other perspectives of things to ponder at. 

Joel Kinnaman's take on a modern-day Murphy is pretty amiable. His performance is believable and coupled with a strong support from Abbie Cornish as his wife Clara Murphy, RoboCop has become more relatable to us audience. In fact, I find the particular scene where he is struggling to override the controlling program in him by playing the scene of his son in his mind over and over again to be very emotionally impactful. Gary Oldman is way over the charts in this one; the best I have seen him ever since the Dark Knight trilogies. His take on a conflicted scientist, doing between what he is told and what he believe is right, to pursue ambition or embrace humanity. I find him the most appealing character in the entire film. 

Not to forget Samuel L Jackson's stunt as the egoistic TV presenter Pat Novak. This role is no cupcake; every word uttered from his mouth depicts the illness of American media, of American corporate monopoly and of the ill-proudness of American society over their own nation.

The film's special effects and CGIs are sleek and nifty. Though a black colour RoboCop is like a byproduct of Tony Stark-meet-Bruce Wayne, eventually I kinda dig into the more slender, modern and less bulky look. It's a RoboCop with more cool-factor to offer. With some new twists and thrill, it is a decent remake. 

Complains: I simply do not find the film memorable at all. This remake feels way too pacified for my liking. As mentioned above, I appreciate director José Padilha's effort to generate some fresh metals for us audiences to gnaw on but ultimately, the darker and grittier RoboCop reigned supreme. There just wasn't enough intensity in the overall film to even keep me focused or interested. I constantly find myself having time for my thoughts to wander on the other stuffs like how pretty Clara's hair is or how weird it is to see Lewis as a dude. 

Next we have one-dimensional villains that further made the film more dull than ever. Michael Keaton as OmniCorp CEO Raymond Sellars ticks off every single criteria in the checklist of cliché corporate villain - rich, egoistic, greedy, and a pushover. There is no 2nd page to Sellars; no character depth. The same simplicity can be said about OmniCorp's military tactician Rick Mattox (Jackie Earle Haley). Cheesy villains waiting to be knock off by RoboCop just doesn't cut it. 

The film is different enough than that of the original but not necessarily an improvement. In a matters of months, or weeks even, people will forget pretty much about the new RoboCop.

Rating: 5.7/10
Hit or Miss: Watch it just to see how RoboCop will look like in black. It doesn't make you cringe watching it, but like I said, it's an easily forgettable film. Miss.


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Lawrence Kasdan To Write Star Wars Boba Fett Spin-Off Film



Any Star Wars fan will definitely know Boba Fett the Bounty Hunter. Whether you first see him in the original trilogy or the prequel trilogy, it doesn't matter. Ever since his debut in The Empire Strikes Back, the armour clad hunter has garnered massive likings and fans from around the world. Many has demanded that a Boba Fett spin-off film to be released for years, and with recent Disney acquisition of Lucasfilm and Episode VII to begin production soon this year it seems that a spin-off is more possible than ever.

Lawrence Kasdan previously worked on The Empire Strikes Back and Return of the Jedi and is currently working with J.J. Abrams on Episode VII. In a recent podcast episode of AMC Movie News, director Jon Schnepp dropped the bomb that a spin-off is indeed happening and a Star Wars legend is behind the creative process.

“I know they haven’t announced it, but one of them is Boba Fett,” Schnepp said on AMC Movie Talk. “I know. I know for a fact. Sorry, I will never reveal my source, but it is the one written by Lawrence Kasdan.”

Terrific news indeed. If you're like me and love the way the original trilogy's story is written then all hopes will be high for a great Boba Fett film that will quench the thirst of fans.

Source: Flicksided

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Rush Review




Directed by: Ron Howard
Casts: Chris Hemsworth, Daniel Brühl, Olivia Wilde
Genre: Action, Biography, Drama
Release Date: 27 September 2013

James Hunt and Niki Lauda's fierce competition in the 1976 Formula One Season is well orchestrated in the epic biopic Rush, starring Chris Hemsworth and Daniel Brühl as Hunt and Lauda respectively. It tells the story of the two racers' dreams, struggles and competitive spirit even in the face of death; Hunt is a talented English playboy while Lauda is a brilliant Austrian technical strategist who's differences morph into strong rivalry as both aim for the title of World Champion.

Praise: Let me get this straight: I wasn't particularly a F1 racing fan nor do I have any prior knowledge on Hunt/Lauda's history as racers before watching this film. However, I found myself immediately captivated by the ever-presence rivalry between the two on screen. The story of their competition is exciting, well paced and presented in such endearing manner with enough jolt of thrill and adrenaline. Even the lives of the racers off track are told vividly, with just the right dose of drama to explain the essence of their individual believes and charisma.

The cinematography is excellent, particularly the racing scenes. Everything is captured with such breathtaking beauty; each angle and frame deliver perfect tension as the cars overtake each other with speed and grease. No nonsensical CGI are used so as to further fixate audience on the 70's period in which the drama took place. The 1976 Japan Formula One set in which the final race was held is illustrated ominously but so ever beautiful, the ever-presence grim atmosphere setting the perfect climatic centre-stage.

This is, in my opinion, Chris Hemsworth's best performance yet. The actor is able to bring such swift expressions and mannerisms on screen; his accent is music to the ears and natural acting highly convincing. This all makes for an authentic James Hunt, worthy of awards. Daniel Brühl too is impressive, his incredible gift in acting cultivate in a Niki Lauda that we can hate, love and feel for at the same time. The two actors share little screen time together, but nonetheless develop a strong, fierce, funny and emotional relationship as Hunt and Lauda; this relationship carries and piece together the film as whole. Several other casts such as Olivia Wilde and Alexandra Maria Lara played their role well in shaping Hunt and Lauda as human being and not just racers.

Director Ron Howard certainly outdone expectations of many with Rush. He established the direction of the film and then hands it over to the actors to guide it to glory.

Complains: There tends to be too much technical terms used in racing throughout the film, and as someone that is not familiar with the industry I tend to get a bit lost from time to time.

Rating: 9.1/10
Hit or Miss: As far as biopic goes, this is an honest interpretation of sports drama without gagging Hollywood-like cliché intervention. The film tells the story and gets the job done without much fanfare. The best biopic I have seen for a very long time. Even novice to the F1 sport like myself is thoroughly thrilled. Hit.

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Paul Walker's Character to "Retire" in Fast & Furious 7




It is recently announced that Universal Studios, director James Wan and writer Chris Morgan has come to a sounding conclusion to retire the character of Brian O'Conner in the upcoming Fast 7.

Rest assure, O'Conner will not be killed off in the film. Tweaks and adjustments will be made to the script so that existing footages containing Walker can still be used. However, changes will be in such a way that the character can exit the show without dying and hopefully will satisfy the fans.

Only half of the film was shot when Paul Walker's tragic accident took place and production was halted indefinitely until a decision can be made. Release date of the film have also been pushed to April 10, 2015. 

Source: IGN

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Dwayne "The Rock" Johnson Rumoured as Green Lantern in "Batman vs Superman"





Surprise! This may be nothing more than just misdirected gas, but Peter Georgiou from Think McFly Think recently tweeted a rumour that Dwayne Johnson, better known as "The Rock" to fans, could possibly don the ring of Green Lantern in the upcoming "Superman vs Batman" film that is expected to begin production this year. Georgiou stated that it was a rumour passed to him from behind the scenes of the industry.

Ever since the announcement of the project and the casting of Ben Affleck as the new Bruce Wayne, the hype of who's next on the casting list has been going endlessly. With Gal Gadot being the new Wonder Woman and Vin Diesel as Groot in Marvel's Guardians of the Galaxy, perhaps the Fast and Furious star decided it's high time he join in to the superhero franchise as well.

At some point earlier, Denzel Washington was also rumoured to be up for the Green Lantern role. Both speculations could all melt down to nothing but it seems likely that Green Lantern will be in the yet untitled Superman vs Batman film, and further enforced the possibility of a Justice League film.

Dwayne "The Rock" Johnson can be seen in the upcoming Hercules: The Thracian Wars.

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47 Ronin Review





Directed by: Carl Rinsch
Casts: Keanu Reeves, Hiroyuki Sanada, Rinko Kikuchi
Genre: Action & Adventure, Fantasy, Drama
Release Date: 25 December 2013

47 Ronin sees Keanu Reeves leading a set of international casts in a fictionalised adaptation on one of Japan's most famous tales on bravery and loyalty. After Lord Asano, the overlord of Ako Domain in ancient Japan was framed and commanded to commit seppuku for attempted assassination on master of ceremonies Lord Kira, his now master-less samurais (ronin) gather together to plot revenge and gain justice for their fallen master. Kai (Reeves), an outcast for his entire life, decided to join the ronin not only to avenge the man who once saved his life but also to protect the one person he love most.

Praise: Despite being a Hollywood production, the set and costumes design maintained enough Japanese elements to give a sense of authenticity to its ancient feudal Japan backdrop. The special effects are neat and non-excessive, along with some impressive make ups that pretty much reminded me of the first Mortal Kombat film (aside from the fact that Cary-Hiroyuki Tagawa playing as the Shogun, oddly maintaining the same authoritative notion as Tsang Tsung.). Oh and of course, watching Rinko Kikuchi as a seductive sorceress is always a plus point.

Complains: Now, where do I start....? The plot and narrative is horrendous. Despite being a fictionalised fantasy account of the 47 ronin, the film progressed in such a flat pace, completely void of excitement and adrenaline. Instead, it is full of cheesy, cliché dialogues that it became so hard to sit through the entire film without losing focus. In addition, some actions taken by the characters are illogical, even by science-fiction standards.

30 minutes into the film and I am stricken with how one-dimension every character is. There is zero depth and complexity in the characters; everyone is exactly what they came off as. Each role are played with such painful stereotypical portrayal that I have to constantly convince myself that maybe there will be some surprising creativity waiting at the climax, just to keep myself seated until the end. Which of course, there is none either.

One major agony in watching the film is seeing the Japanese actors so out-of-character in almost every scene. Each line spoken seem forced, as though they have no confidence in saying them. It is a fatal flaw to have the Japanese characters interact with each other completely in English rather than their mother tongue. Not only does it look and sound dubious but it also westernised the feeling and experience too much, causing it to lose its Japanese authenticity so carefully built by the sets and costumes. The casts are awesome but I feel that each of them (except Keanu) could not bring out their full acting potential to give off the necessary emotion and impact when conversing fully in English.

While some other disappointing fantasy films have, at the very least, breath-taking climatic fight scenes to compensate and reward you for enduring till the very end, don't count on 47 Ronin for doing just that. The final battle between the characters are simplistic, short and forgettable. It is akin to watching children settling their quarrels in the most unfashionable way imaginable.

Rating: 3/10
Hit or Miss: Unless you derive satisfaction from watching outright dull and unimaginative fantasy films or if you're 10 years old, this film is a must miss. Though you can simply watch it just to see Rinko Kikuchi.

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