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Rio 2 Review


Directed by: Carlos Saldanha
Casts: Jesse Eisenberg, Anne Hatthaway, Jemaine Clement, will.i.am, Jamie Foxx
Genre: Animation, Kids & Family, Comedy
Release Date: 10 April 2014

It's bye-bye city and hello jungle as Blu, Jewel and their 3 kids head out to the Amazon forest in search of their kin thought to be history. Right on their feathery tails is Blu's old nemesis Nigel the cockatoo, with new aides of his own bent on revenge in this colourful sequel to 2011's Rio

Praises: The second flight with our feathered friends is a frantic fun-filled one, full of toe-tapping musical scores that soothes the ears and gears the excitement. Brazilian beats and tempo echo seamlessly with the mesmerising choreography of dances and singing, offering the perfect remedy for my agonising Monday-blue (ironic huh?).



Many of the adorable characters that I have come to know and love in Rio reunites for the sequel, much to my delight. Jesse Eisenberg's talent effortlessly made Blu charming as always. The bird is fond of everything human and suddenly he's thousands of miles away from civilisation, surrounded by similar feathers he never knew existed and having to pick Brazilian nuts over toasts. His reluctance to embrace anything wild cooks up numerous hilarious moments that are pretty memorable (okay okay, no spoilers). 



Jewel (Anne Hatthaway) on the other hand, sheds off her younger, impulsive self for a more calm, matured and family-oriented mother figure to her younglings Carla, Bia and Tiago. Her relationship with Blu is beautifully heartfelt as we see the two dealing with ideas of compromise and growth as the honeymoon is long over. The addition of the little ones made the film more appealing to kids but even as an adult, I simply adore them. 



He may not be willing to catch any grenades for anyone but Roberto (it's Bruno-freaking-Mars!) jazzed up the atmosphere with his much confidence and swag. Being the idol of the flock and childhood friend of Jewel, he is considered a rival by the jealous Blu which often led to comedic results. 



Nigel may be the star of the stage this time after all for his vocal talent Jemaine Clement  turns up to be among the most impressive of the lot. Another noteworthy newcomer to the pool is Nigel's new sidekick/admirer Gabi (Kristin Chenoweth) who's performance gives a touch of musical magic to the film (albeit sadistically).


Of course, it won't be Rio without the dynamic duo Pedro and Nico. Their respective charisma compliments each other flawlessly and though they are less crucial than before, they're still entertaining to watch. 



Blu's guardian, Linda (Leslie Mann) is now married to bird enthusiast Tulio (Rodrigo Santoro) and the pair plays a pivotal role in delivering the film's ecological messages: how we should never take the beauty of nature for granted and also on the danger that forest logging brings. These made the story a lot more engaging, as we are introduced to the many beauty and wonders of Amazon throughout. They symbolize the ideal that humans hold the key to either preserve or destroy their Mother Earth.

For those who have watched the film, doesn't the climatic scene reminds you much of Avatar

Complains: Like most sequels to animation films, Rio 2 attempts to do too much of everything but end up  focusing too little on what's important. It does not leave that great of an impact as its predecessor and relies heavily on the casts to maintain much of its charm. There are literally too many conflicts and subplots to digest, causing the narrative to lose its momentum. It's as if everyone is pulling at each other's neck to tell their own story.  

To have 2 different sets of villains with their own agenda is a risky move. Not only does it made the plot felt jumpy but also distracting, as the scenes are quickly cut between one another to give room for progression. As if Nigel and the illegal loggers are not enough, we have the feud between the Spix Macaws and Scarlet Macaws. Seriously?

Also, I generally prefer the scores from the first Rio better. They are a lot catchier, the kind that leaves you in holiday mood. I'm not saying the ones in Rio 2 are bad, they just do not cling to me as they should. To add to that, I'm pretty disappointed that Jewel sings way lesser this time around. Anne Hatthaway has such an amazing voice, why let it go to waste?

Rating: 6.2/10
Hit or Miss: Rio 2 is visually beautiful with strong casts to carry the film but suffers from a congested storyline. Still, watching it is a pleasurable experience. Hit

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Sabotage Review


Directed by: David Ayer
Casts: Arnold Schwarzenegger, Sam Worthington, Terrence Howard, Olivia Williams, Mireille Enos
Genre: Action & Adventure, Thriller, Mystery & Suspense
Release Date: 3 April 2014

John "Breacher" Wharton leads an elite DEA task force, busting the world's largest drug cartels and kicking asses. Things begin to go wrong when their $10 million worth of stolen cartel money went missing and one team member after another gets picked off. It's a race against time as Wharton teams up with tough-female detective Caroline Brentwood to nail the perpetrator before he ends up on the chopping block. 

Praises: What makes Sabotage even remotely chewable lies within its honest look into the integrity of law enforcers as they climb in and out of hell on earth. To bring down the drug cartels, Breacher and his team constantly has to go undercover and pretend to be the bad guys. Sometimes, people who do that too often found themselves morally lost - the line that separates them from the demons becomes indistinguishable. They see the highs and lows of humanity and forgot which end they belong to. Director David Ayer interprets these with sharp accuracy by utilising a plot that is dark, edgy and gritty, full with unexpected twists of events which effectively propel the film to the class of mystery thriller rather than being just another muscle-bound action flick. 

This is perhaps the most interesting and unique role I have seen Arnold Schwarzenegger in since his return to the acting scene. It is nice to see "The Governator" playing a rather complex character with actual depth and story rather than the usual tough, mean-looking stereotypical grunt he always ended up as. Breacher has a compelling history that wasn't made known in the earlier parts of the film but once it does, it's enough to string along empathy from the audiences and gives the film an overall emotional touch. 

Majority of the supporting casts offer strong performances and a special shoutout goes to Mireille Enos for her uncompromising take as the drug-addicted Lizzy, the only female crew in the drug-fighting team. Her character held her ground firm amongst the men and was never even close to being intimidated by her male peers. Sam Worthington too shows his diversified acting capabilities as James "Monster" Murray, the brutal yet easily-paranoid husband of Lizzy. 

The cinematography employed is somewhat unorthodox yet creative - it brings a new height to the sense of realism in the film. Micro-cameras are carefully installed on the gun barrel to capture the shooting sequences from first-person point of view; this in turn enables the audience to see and feel the same intensity experienced by those wielding the gun. 

Complains: The story itself is promising but the execution is poor. It offers audiences a grimmer look into the world of law enforcement but smears it with blood and guts splattered across unnecessarily. The gravity of the plot is seemingly lost in midst of the gore and violence, resulting in a film that is hollow, loud and messy. 

The characters are a huge unlikeable lot, except for Breacher. I credit them for being distinct and individualistic but none of them are endearing. Honestly, I couldn't care less on their predicament and they are easily forgettable. The humours are dry and bleak - the film could definitely do well without. All the profanities and sexual insults strewn at each other seems to be without purpose as well. 

The last thing I need is Arnold Schwarzenegger trying to be sexy. The Austrian champ is nearing 70 and he isn't even mildly attractive in both physical and demeanour anymore. The actor seem so out of place whenever he churns out flirtatious lines that got me gagging and his chemistry (romance or not) with the relentless Caroline played by Olivia Williams is close to non-existent. Speaking of which, it really upsets me to see Williams playing a tough chick that is so easily subjected sexually. Her character is simply tossed around and manipulated, mentally and sexually that I find her pathetic to watch.

Rating: 4.2/10
Hit or MissSabotage ultimately felt dreadful and tedious, as there seem to be no proper direction that the disjointed narrative is heading. It's great that Arnie undertakes a role that is radically different from his usual stint but he lacks the proper charisma to carry his character well. The film could have been way better but fall short of expectation. Miss.

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Captain America: The Winter Soldier Review


Directed by: Anthony and Joe Russo
Casts: Chris Evans, Scarlett Johansson, Sebastian Stan, Robert Redford, Samuel L. Jackson
Genre: Action & Adventure, Science Fiction, Fantasy
Release Date: 27 March 2014

Steve Rogers continues to assist S.H.I.E.L.D. in their espionage missions as Captain America while searching for a sense of belonging in this modern world. When a S.H.I.E.L.D. vessel was hijacked by pirates, Rogers and his fellow Avenger Natasha Romanoff/Black Widow are sent on a hostage-rescue mission - only to uncover a hidden agenda behind it. Things further complicate when Nick Fury, director of S.H.I.E.L.D. becomes the target for assassination by a secret Soviet agent called The Winter Soldier. Captain America soon finds himself in the midst of a malevolent scheme with very few left to trust. 

Praises: Superhero films under Marvel have always been a fun ride - from the fantasy realm of Asgard to Iron Man's state-of-the-art home in Malibu. When Captain America: The First Avenger hits the big screen in 2011, it begs to differ in terms of tone and locale. Riding on nostalgia and set in WWII Germany, the film shows promise of darker, edgier and grimmer themes - the same themes fully explored this time around in Captain America - The Winter Soldier.

To quote Tony Stark, "Things have changed since New York." We no longer see Steve Rogers as a young man eager to step up to the bullies (Nazis). We now see a man, thawed from years of slumber in ice, thrown into a modern world he does not recognise and yet managed to save it from an invading god and his army of space aliens. We see a soldier haunted by regret, trying to piece together a life he had missed living and in constant doubt over the integrity of the agency he is serving now. When asked what makes him happy, his answer is "I don't know." Sad, isn't it?


When I think about it, it is Steve Rogers' humility and selflessness that makes the character so dear to me. He wants neither glory nor fame. He is earnest in protecting the country he loves and no tragedy that befalls him can ever shaken his resolve. He has no qualms in throwing his life away to save the innocent and this in turn makes him very vulnerable. 

This second instalment puts the Captain on his toughest emotional journey yet and that is what connects the character to the audience. I really feel for the man, the hardships he had to go through to hold upright his beliefs. Connectivity is something the other Marvel films lack, making this one a class of its own. The last time I was able to feel such a connection was with Tobey Maguire's Peter Parker/Spider-man in Spider-Man 2 (and that was one of the greatest superhero films of all time). 

Writers Christopher Markus and Stephen McFeely (who previously worked on The First Avenger) has come together to craft a brilliant and sharper script for this sequel, knitting together the events that will culminate in Age of Ultron. The narrative is full of twists and suspense while wittingly delivers the message on the peril of political-illness. The film could almost be considered satirical; from the governmental misuse of state surveillance and personal data down to the notion that in the chaotic world we are living in, the willingness to trade freedom for security is ever-present. 

Coming from directing television comedy background, I'm astonished by the swift ability of directors Anthony and Joe Russo in handling a large-scale motion picture such as this. The crisp dialogues are expected but the cinematography amazed me most. It is top-notch, particularly on the action scenes. Trading heavy special effects for more gritty, raw and realistic approach is a bold move Marvel has taken. In fact, it defies the stereotypical bubble that encases the genre yet the result is nothing short of superb. The fight choreographies are the best I have seen amongst Marvel films, bringing a sense of homage to the 70's and 80's action flicks. The set pieces used are extensive and massive, comparable to those in The Avengers



There is no shortage of strong female characters (by strong I don't just mean physically tough), starting with the multi-facet spy Black Widow. First introduced in Iron Man 2, her character quickly grows into one of the most complex in the franchise; her true emotions and feelings forever difficult to discern. It is nice to see her role being more crucial and better-established here than any of her previous appearances, with nearly as many screen-time as Captain America. S.H.I.E.L.D. agent Maria Hill (Cobie Smulders) returns, albeit for a more minor yet significant role. Her ability to call the orders in the absence of Nick Fury has shed some new light onto the character. Last but not least, newcomer Kate/Agent 13 also proves to be the better agent than most of her male counterparts. Plus, those who adore Peggy Carter would be thrilled to know she is back and still alive (this is about as much as I will say).


Let's not forget the man who successfully unite a band of radically different superheroes to form the Avengers. Nick Fury's role expands beyond that of leading the pack behind the screen - we finally get to see with both our eyes that he is a soldier first, commander second. Fans dying to see Samuel L. Jackson getting down and dirty ala Pup Fiction style won't be disappointed. I am delighted also with some new insights into the past of the one-eye patron, revealing more about the man that kick-start the party in Iron Man


After the horrible excuse of The Mandarin and the mildly interesting but unimpressive Dark Elves, I'm pleased with the outcome of The Winter Soldier. The costume and grungy make-up illustrates the menace of the assassin for most part but its his void of empathy towards anyone - be it adversaries or bystanders is what gets me tingling. I love the fact that he is able to hold his ground against any foes and his fight sequences with Captain America are the best in hero vs. villain Marvel has yet to offer. 


The inclusion of Alexander Pierce, a high-ranking S.H.I.E.L.D. officer cum secondary villain is well-pieced. The character guides audiences to darker secrets of the agency not known previously and is neatly linked to foes of Captain America thought to be long gone. The Winter Soldier is great but like his namesake, he is only a soldier set to kill. Pierce is the necessary devil pulling the strings from the shadows, setting up the stage for the film's epic climax. He is answerable to every betrayal in the story (and trust me, there's A LOT) and his often misleading actions are responsible for most of the surprise elements on-screen. Drafted with central importance to the plot, he completes the circle in making the film truly stand out.


Of course, none of the above would be possible without the balanced and talented casts. Their performances are ingenious in both leading and supporting roles. Chris Evans is astute as the hero out of his time and his on-screen chemistry with Scarlett Johansson gelled smoothly (as they are the closest to a couple you get this time). Newcomer to the universe Anthony Mackie is fun to watch on screen and I wouldn't mind seeing him return in future instalments as the Captain's new-found sidekick Falcon. By the way, Stan Lee has his best cameo-scene to date. 


To wrap up the good parts, there are TWO credit scenes - one during the middle, which is probably the best Marvel has churn out as of now (and it's directed by Joss Whedon himself!) and one after. So be sure not to look stupid and walked out immediately when the credits rolled. 

Complains: I am not saying this film is free from hiccups. For instance, why couldn't Captain America call on his fellow Avengers for help? In fact, the same applies to any of them when troubles came pouring. I know the Avengers-canon films are meant as solo outings but Marvel needs to cook up a logical reason explaining the absence of the other superheroes, particularly in a shared universe. Which brings up the question: where is Hawkeye anyway? The modern-day Legolas is one of Nick Fury's best agents and when S.H.I.E.L.D. gets compromised, he wasn't even mentioned? C'mon! 

As with what happens to films that contain such a large pool of characters, there are bound to be those left underplayed. Steve Rogers finally found a friend capable of understanding the pain in his soul that is wearing him off in Sam Wilson but the poor guy lacks the proper development he deserves. There are just so many potentials with the former paratrooper-turned-superhero and hopefully he gets looked-into extensively in future. 

Furthermore, I'm pretty upset with Maria Hill's screen-time being reduced to what little is left. She moves and threads the narrative together but instead I see Brock Rumlow (Frank Grillo), who serves no purpose other than being S.H.I.E.L.D.'s muscleman popping onto screen more than she did. 

Rating: 9.3/10
Hit or Miss: To sum it up, Marvel has upped their game big time with Captain America: The Winter Soldier. The actions, dramas and suspense are over the top but even above that, it has got a heart. Hit.

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Divergent Review


Directed by: Neil Burger
Casts: Shailene Woodley, Theo James, Kate Winslet
Genre: Action & Adventure, Science Fiction
Release Date: 20 March 2014

In a dystopian post-apocalyptic future Chicago, its citizen are segregated into factions: Erudite for the smart, Dauntless for the courageous, Amity for the kind, Candor for the honest and Abnegation for the selfless. The people are placed in a faction according to their individual virtue, so that there will be no arguments, no wars and only peace and prosperity. Or is it...?

The story revolves around Beatrice "Tris" Prior, who is a Divergent - someone that possesses more than one or two distinct characteristics and would not typically fit into any particular faction. As she discover who she really is deep inside, she is entangled in a conspiracy that threatens to annihilate peace and everyone that she cared for. 

Now, this may sound unfair to some but I will be frank: I cannot look at this film without having The Hunger Games lingering in my mind for comparison. The premise, the setting: a future nearly destroyed by war, the threat of totalitarian governance, a heroine risen to challenge the status quo - it is all very Hunger Games-ish. I am not saying that the film (or the book, since it's an adaptation) attempts to copy the successful Hunger Games but there is definitely an attempt to surpass it. 

And is it just me.... or is there some sort of Harry Potter thing going on too? The sorting of young citizens into 5 factions mirrors the sorting of young wizards in Hogwarts to the 4 houses. The freedom to choose which faction to go to regardless of  test results and origin - the same freedom recognized by the Sorting Hat. The only difference is that in Divergent the scale covers the entire city and not just within an academy. Strange, huh? 

Praises: Be it an attempt to be the next Hunger Games or not, this film is thrilling and entertaining in its own right. For fans of the Young Adult (YA) genre, this film will not disappoint. The notions of political play and its direct effect on society and economics is not as grim and menacing as the one presented in Hunger Games but it still gets the job done in casting a shadow of malevolence throughout. 

The one thing that this film nailed best is in its casts - a well-rounded group of talented actors and actresses that brings life and soul into the otherwise semi-thin plot (more on that later). The lead casts - Shailene Woodley (Tris) and Theo James (Tobias "Four" Eaton) gave powerful performances that provide sufficient emotional depth to their respective stereotypical character. Their ability to carry the one-dimensional characters to such engaging level is impressive and given that it's James' first major motion picture on the big screen, extra kudos must be handed to him. Tris' transformation from a shy and insecure girl to one with a commanding presence is done beautifully, paced perfectly with no sudden surge of inexplicable maturity which I particularly condemn.  The supporting casts did a good job overall as well and Kate Winslet is as stunning as ever, even as a twisted power-hungry tyrant. Her performance is ingenious and breathes of art such that I am sure Jack Dawson will approve from the grave beyond. 

She is no Jennifer Lawrence/Katniss Everdeen, but she certainly hold her ground strong enough. 

As mentioned, I for one am a fan of the film's pace throughout. It doesn't feel rushed nor dreadful; instead the story transitions smoothly along with its characters. As the story progresses the characters grow steadfastly, leading all the way to the climax and gave a satisfying wrap.There is enough thrill, suspense, drama and action along the way to keep me seated upright, leaving little room for my mind to wander elsewhere. 

The visuals compliment the tone of the film quite well and I must say that the hallucination sequences are artistically done. There is a fashion to it, one that leaves quite a mark. However, do note that the degree of my praise for the visuals extend only to this. As for the soundtracks, a few are quite brazen but if it pulls the trick, why not?

Complains: No prejudice whatsoever but despite strong performances from the casts and a setting that promises so much more, the film falls short of the bar set by Hunger Games. The dark and oppressive nature of the story wasn't explored and utilised to the fullest; instead making way for a safer and more formulaic approach to the YA genre. I am quite disappointed by that, seeing as Hunger Games succeed due to its distinction from the norm. 

When I watched The Hunger Games, the colour and spirit of the production entices me. Though both films take place in a world weary and recovering from war and destruction, Hunger Games pulled it off with such style and extravagance (who can forget the fashionable Capital?!) while maintaining the underlying malice of the government that controls it. Even after leaving the cinema I remember them vividly. Sadly, the same cannot be said about Divergent. There is a certain degree of bluntness in the visual (other than the hallucinations) that is hard to overlook and certainly hard to remember later on. 

Like I said, there's much more that the setting offered but unfortunately the plot derives too little from it. The political drive of the film, though being the primary antagonistic element of the plot is too subtle, marred by predictable YA elements. Its' themes are not imposed with enough suggestive force - it is as though director Neil Burger is so wary of the boundaries he may cross and the parties he might upset. The casts are impressive but doesn't change the fact that certain dialogues are outright cheesy and loosened the gravity of the film's tones. Their characters are written in such one-dimensional fit that it would be painful to watch had not for the brilliant capabilities of the casts. 

I watched both The Hunger Games and Divergent without prior reading of the book they are each adapted from, but unlike the former I can smell and predict how the ending of Divergent is gonna be from miles away. No doubt though, that fans of the usual YA genre will be knee deep in love with this film.

Rating: 7/10
Hit or Miss: Ultimately, the film is entertaining in its own right and I pretty much enjoyed it throughout. It didn't leave me cringing hard and wished I had watch something else, which is good; but it certainly did not impressed me as much as The Hunger Games did. Since its sequel, Insurgent, has already been green-lit by the studio with a different director, I am hoping for something that will take Tris and Four beyond the fence of usual YA elements that imprisons them. Hit.

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Captain America: The Winter Soldier Post-Credits Scenes Revealed!


SPOILER: The following contains information on the upcoming Captain America 2 film that is of high spoiler material. Do not read any further if you do not wish to kill the fun of watching it for the first time in the cinema. Otherwise, hold your breath and embrace the epic-ness of what you're about to read.

The much anticipated second instalment of Captain America has been released for early screenings in some places and the feedback and early reviews were VERY positive. But what's really exciting are the mid and post-credits scenes, which revealed the THREE new characters set to appear in Joss Whedon's Avengers 2

Comic Book Movie received reports from their sources detailing the following: 

“After the fall of both S.H.I.E.L.D. & HYDRA we see Baron Von Strucker (Thomas Kretschmann) in his underground lair. Loki’s scepter can be seen here, as well as 2 special prisoners: the ‘twins’. These are of course Quicksilver (Aaron Taylor-Johnson) and Scarlet Witch (Elizabeth Olsen). Quicksilver is bouncing from one end in his cell to another while Scarlet Witch is stacking some building blocks with her mind. Watching them, Von Strucker announces ‘The Age of Miracles’ is upon us. And with that we learn the new name for mutants in the Marvel movieverse.”

That's for the mid-credits scene. Another interesting thing to note about this scene is that Joss Whedon directed it himself. As for the post-credits scene:



“The Winter Soldier is visiting the Captain America exhibit in the Smithsonian museum. Here he finds the information on James Buchanan ‘Bucky’ Barnes, his real name. It appears the Winter Soldier now knows who he really was and remembers that Captain America spoke the truth about him.”

For the fans of Winter Soldier, you can now rest in ease that he is still very much alive towards the end of the film. Perhaps he can come back as the anti-villain or side-kick to Cap himself. Certainly gets your adrenaline kicking for the official release of the film doesn't it? Or do you regret reading this now? :) 

Captain America: The Winter Soldier will be in Malaysian cinemas 27 March 2014.




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Korean Actress Kim Soo-hyun To Play A Substantial Supporting Role In Marvel's Avengers 2: Age of Ultron

Fans of Korean stars and Marvel's Avengers can finally unite in glee as South Korean actress Kim Soo-hyun joins the casts in a mysterious and substantial role for the upcoming Avengers 2: Age of Ultron. 





Rumours speculating the actress joining the Marvel Cinematic Universe came as early as January, but it wasn't until the actress' post in Twitter that confirms her involvement. A translation of her tweet read: "After a long wait, I’m happy to be back with great news. I have a lot to do ahead of me, but for now, the words ‘Welcome to the Marvel Universe’ are amazing and kind of overwhelming. I was a fan of Marvel Comics, and if you really like something, looks like fate can make it happen.”

Now the next question in everyone's mind is: who will she be playing? Well, we will all have to hold it in us and wait as the actress is lip-tight on details. Not surprising actually, given the fact that Marvel has always been secretive on their plot and characters until after production. Soo-hyun's rep stated the following: “It would be a spoiler, so we can’t tell you which character she will play."

However, Marvel has released news that her role will be substantial so let's all keep our hopes high and wait to see the Korean beauty spring into action in tight latex suit (no, please don't).




Source: IGN


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300 - Rise of an Empire Review


Directed by: Noam Murro
Casts: Sullivan Stapleton, Eva Green, Rodrigo Santoro, Lena Headey
Genre: Drama, Action & Adventure
Release Date: 6 March 2014

Based on Frank Miller's latest graphic novel "Xerxes", 300 - Rise of an Empire takes place before, during and after the events of 300. Themistokles (Stapleton) attempts to unite all of Greece in the war against the Persians but finds himself lack of time as the Persian navy led by the vengeful Artemisia (Green) advances with massive forces. With King Leonidas and the 300 Spartans facing off against Xerxes (Santoro) in Thermopylae, Thermistokles must gather whatever men and courage he can to face off against the Persian navy at sea in the Battle of Artemisium while hoping that the blood and sacrifice will eventually unite Greece to change the course of the war.

Praises: The visuals are nothing short of gratifying. I cannot stress just how beautiful the film has illustrated the Battle of Artemisium with the manipulation of colour, lighting, camera angles, sound and special effects. The use of slo-mo is clever and non-jarring. Although helmed by a different director than its predecessor, there is still evident that the film remains faithful to the standards of violence and gore set by 300. The scene where the Greek ships engaged and impaled the Persian ships is simply breathtaking with beauty. At least it didn't make me feel short-changed for choosing to watch this film in IMAX. 

A film is only as good as its villain right? Precisely. Though panty-baldy Xerxes is as ominous as ever, he has lesser screen time this time around (because he is busy having his army trampled by Leonidas). The one that truly steals the show is none other than Eva Green who portrayed the beautiful, smart but yet cruel and vengeful Artemisia. Her character is well layered, enough for you to pity her circumstances but loathe her malevolence. Green's performance is solid and enticing, putting the shrill and thrill in me as I watch her every gracious movement. The decision to have a female central villain is well appreciated, as it puts balance in the overwhelming testosterones present in the film. She is basically the reason why this film is worth watching. 


Complains: Let's be frank. Both films in the saga attempts to please the fanboys who enjoy lots of actions, violence and blood. It did not set out to be thought-provoking or plot-heavy. 300 - Rise of an Empire delivers what it promised; lots of hacking, slashing, decapitating and guts spilling out. But it does not conjure the same adrenaline that the first film did. Whereas 300 did it with style and packed with intensity, the sequel focuses too much on beauty and loses the raw brutality and edge found in battles. Not only does it not have any lasting impact but it's also easily forgotten compared to what we saw in 300

Stapleton's take on Themistokles isn't exactly bad and pretty much watchable, but again it's not as memorable as Gerard Butler's Leonidas. He failed to give us a leader that we will actually want to care for and did not carry his presence on-screen well enough. The other supporting casts played one-dimensional characters to fill out the screen which is totally unimpressive. 

Rating: 6.3/10
Hit or Miss: Overall, I enjoyed the film; not as much as I did with 300 but at least it did not put me to sleep and I get to watch Eva Green dominate the screen. I am captivated by the film's beauty but the action scenes certainly didn't get my heart pumping. A step down from 300, but it's the first step towards better films in cinema for the year 2014 (gosh the misery of watching horrible films for the past 2 months). And of course, seeing Gerard Butler from archival footages is pleasant too.  Hit


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